Interview with Berin L. Stephens

As it says in this blog’s heading, “"Writing can be solitary, but success isn't." To that end, we’ll be featuring some other authors of the male persuasion on this blog.

Our first guest is Berin L. Stephens, author of two novels, “The Dragon War Relic” and “Time Gangsters”.

(By the way, I recently reviewed “Time Gangsters” on my personal blog. It can be found by clicking here.)

Without further ado, on with the interview!

1. What inspired you to become a writer?
A: I'm not entirely sure. I read a lot when I was in elementary school but I don't remember thinking about being a writer until I read Tolkien's The Hobbit. For some reason, that book fired up an interest in me to create similar worlds. Shortly after that, I read Asimov's Lucky Star and the Pirates of the Asteroids which then got me into sci-fi. Since then, I've taken up being a jazz musician, and I think writing and jazz allow me to do something that is essential to my personality: to create. My mind is constantly thinking up new creative things, both in word and music, that it is just hard to keep it contained.

2. Tell us about your latest book.
A: Time Gangsters is a middle-grade urban fantasy about two 12 year old cousins who find some ancient Egyptian coins buried in the walls of their neighboring houses. But it turns out that gangsters from 1927 also want the coins due to their magical properties. Some of the magic allows people to make super human leaps, or to shoot fire from their hands, or make it rain. The most powerful ones, though, are the ones that allow time travel. The kids are pulled back in time to face the vile gangster Franco Carnassi and his gang of thugs who want to use the coins to rule America. If they don't stop him, the kids might not have a future to return to.

3. What challenges (if any) have you faced as a male author?
A: I really don't know of any. It is a little bit of a challenge writing female characters, but with a wife and three daughters to straighten me out, it hasn't been too bad.

4. In the books you've written, which character would you say is most like you as a person and why?
A: In my first book, The Dragon War Relic, all three main characters were aspects of my personality. Jared was the boy I sort of was as a teenager. Doug was the teenager I sometimes wished to be. Gar the Ogre from Orgrenia is close to how I am now: the grumpy parental figure with a twisted sense of humor.

5. What types of books do you like to read? Has your taste changed as you've gotten older?
A: I started off on Hardy Boys, then into fantasy through Tolkien. I also grew up on some of the old swords and sorcery stuff by Michael Moorcock and Robert E. Howard. I also read a lot of Edgar Rice Burroughs. As I got into my teens and early twenties, I got into David Eddings, Roger Zelazny, and Terry Brooks. Most of the stuff I like to read is fantasy, though I do love science fiction and comedy, too. Probably the thing that has changed the most in my reading tastes is that I read a lot more young adult and middle-grade material. For one, it keeps me up on what my kids have been reading. It also keeps me in tune with what the market is like. But most importantly, I prefer it because, for the most part, they are clean reads with without language, sex, etc.

6. Are you working on your next book? If so, can you give us a preview?
A: I have several irons in the fire right now. The one I plan to reveal next is a story about a teenage sidekick of a superhero. He gets in over his head when the Moguls of Mayhem capture all the heroes in the city and he is faced with defeating them on his own. I also have a fantasy/steampunk/dystopian project I've been working on for a year that still needs work but is progressing well. This one is a little darker than my previous outings. I wanted to make it a comedy, since I've never seen a dystopian comedy before. Now I know why.

7. What advice would you offer aspiring authors?
A: It might sound like a broken record, but you got to keep at it. For me, I did a lot of time wasting activities that kept me from writing for years. I watched a lot of TV and played computer games when I could have been writing. I wish I had that time back now. But TV and games don't interest me much anymore because creating my own stories is so much more interesting, exciting, and fulfilling.

I guess the other thing I harp on a bit is health. Part of the reason I didn't write for about ten years was because I had no energy. I ate a garbage diet and I didn't exercise. I lived on Advil and Tums. When you're tired all the time, it is so much easier to sit back in a chair and turn the TV on than to put forth any kind of mental effort. When I turned my health around by switching to a more plant-based natural diet and exercising, I suddenly had more energy. My creative juices started flowing. Then it became almost impossible not to write.

8. Where does the white go when the snow melts?
A: Not to Utah. It looks like it's all going to my home state of Alaska. As far as actual color white, as long as there are people out there like us, fighting the fight against chaos and evil, we will always bring white back into the world.

Thank you Berin for the wonderful interview.

To find out more about him, click here.

To find out more about "Time Gangsters", click here.

Writing the other gender

At Oak Knoll Middle School outside of Richmond, VA they have a wonderful reading program. In it, students and their parents choose a book to read together and then they meet weekly to discuss it. I was fortunate enough to have both the boy and girls pick my book, The Hidden Sun. It was the first time both genders had picked the same book. After they completed it, I visited the school and gave a presentation. It was a blast.
The experience brought me to ponder on why The Hidden Sun appeals to boys and girls. It wasn’t really my intention when the book was written. I’ve come to the conclusion that it was a combination of things.
First, the story is written from several different points of view. In each “scene”, we are in the head of someone. Sometimes it is a male character, sometimes it is a female character. In that regard, I believe both genders who read it had someone to relate to.
Second, there are elements in the book that appeal to both genders. There are action sequences and competitions that the boys enjoyed. Then there are the romantic elements that the girls liked.
I’m currently writing my fourth book. It’s the third book in the Bariwon series. The main character is female. While I’ve been writing it, I’ve read several books from other authors. Often, they are written from one person’s point of view.
In one particular book I read, the main character was a teenage young woman. I’ll admit I struggled a little through the book because I had a hard time relating to her. Being the father of four daughters, as well as being married for twenty years, I’ve learned that men and women simply do not think the same way.
If that’s the case, how does a male writer create a believable female character and vice-versa? I’ve come to only one conclusion: through observation. The female characters I create are composites of various people I’ve known over the years. Even then, I’m sure there is a lot I’m missing.

I once attended a bachelor party (it was an LDS party, so it was very clean) and one of the gifts given to the groom-to-be was a fairly thick book called Everything Men Know About Women. When the receiver of the gift flipped through the book, we saw that all the pages were blank.

What if?

I had the chance to be a visiting author at a middle school recently. To prepare for the visit, I asked the teachers what things they would like me to cover. Basically, it was the writing process, the importance of edits and rewrites, and what else authors have to do.

I put together a PowerPoint presentation that addressed all sorts of different elements. One question I covered was "where do authors get their ideas from?"

Here is what I did to help the students understand one way I get my ideas. Actually, it’s the main way I get them. It is: "what if?"

I told them, for example, "What if the sky was purple?" or "What if the school was attacked by zombie bunnies? (Sounds like something David J. West could turn into quite the amazing book, eh?) From there, I had them write their own "what if" statement. I was quite impressed on the different ideas students came up with. I joked that if any of them wrote a best seller based on their "what if" statement, I wanted a mention in their book.

I explained there are many different ways of writing. I used the example of "pantser" (writing on the seat of your pants) vs. plotter (doing an outline). I, personally, am a combo of both. When asked how I write, this is the best way I could describe it: The first thing I do is create the characters in my head. I use personality traits of different people I know (even myself) and try to create a unique individual. From there, I create a basic outline of a story—the major plot points and such. Then, when I write, I put these characters into the setting and see what happens. Often they don't do what I expect, based on their character, . . .but somehow, it works.

When it came to demonstrate the importance of edits and rewrites, I showed them several pictures and had them write down the issue.

Here they are:

As you can see, some are fairly obvious, and some are a little more hard to explain. The picture of Pizza Hut, for example, got a few of the students hung up. They didn't see anything wrong with it. For me, I explained the concept of redundancy. As a reader, I get frustrated with an author who beats me over the head with the same thing throughout the book.


Lastly, I left time for questions and answers. Any ideas what the number one question I was asked?


It was: "How old are you?"

To thine own self be true

One thing I've battled as a writer is staying true to my spiritual beliefs while writing about things that may not be spiritual in nature. Well, check that. I guess I could argue that everything has a spiritual side to it--every decision we make is influenced by our core beliefs.

My Bariwon series has priests in it, and there is a prevailing religion, but I don't dig very deep into that. Instead, I focus more on human nature and how different types of people react when they are faced with difficult choices. And for complete disclosure, the decision to leave out bad language, explicit sex scenes and graphic violence is based on my personal core beliefs.

However, I was faced with a completely different challenge during the writing of my third book--one that is not in the Bariwon series.  I just completed the edits on it. It's called The Mirror of the Soul.

What makes this book unique is that it is based on the works of musician Chris de Burgh. The main story is driven from the song of the same name, however, I used dozens of his songs as inspiration for the book. I'm proud to say, I feel I've written a pretty darn compelling story using all these elements.

But, back to the challenge. This book takes place just after the Hundred's Year War in France around the mid-1400's. The primary focus of the book is about religion and those that would use it to further their own gain.

One of my biggest fears is that people would perceive this book as an attack on a certain religion--which it isn't. It is the story of one abbot and his monks and the actions they take. At the same time, I wanted to stay true to my core beliefs while telling this tale. I can say that I feel like I was successful, and least in my mind. I've no doubt there are those who can and will find fault.

But that's the point of this blog. I think each writer is trying to express something of their beliefs when they write. I dare say it can be a form of therapy. Yet, as an author, you also want your readers to become emotionally invested in the characters and story--without them feeling like they are being preached to.

It's something I think about each time I write: telling a good story while staying true to myself.   

The Hidden Sun's release is announced

Sorry for the shameless plug here, ah heck, no I'm not sorry--I'm very excited!

My book, The Hidden Sun, is being released by Walnut Springs Press on August 13th, 2011.

Here is the cover:

Here is the blurb on the back cover:

A faraway kingdom.

A beautiful princess.

A courageous hero.

A ruthless villain.

An impossible choice.

Eliana and Rinan are in love. However, she is destined to become queen of Bariwon, obligated to marry the victor of a competition called the Shoginoc, while Rinan, her royal guardian, is forbidden to marry. Normally they could renounce their titles to be together, but these are not normal times. Abrecan, the malevolent governor of Erd, is determined to win the Shoginoc, thereby placing his easily manipulated son Daimh on Bariwon’s throne. Can Eliana and Rinan find a way to be together without jeopardizing the peace they are so desperately trying to protect?

I'll be launching the book as part of the August Authorama on August 13th at Pioneer Book in Orem.

Here is a nifty flyer with the information:

I'll also be signing books at "Handcarts in the Valley" bookstore on Monday, August 15th from 4 until 6 pm. It's located at 32 S Main St in Heber, Utah.

I'd love to see at either (or both) events!

Where do you draw the line?

I was once asked, "How long did it take you to write your first book?" That's a loaded question. Is it measured in the actual amount of time writing, meaning the hours spent pounding on the keys? Or is it measured by the date you started until the date you ended?

Frankly, I don't have a clue how many hours it took. But when it came to writing The Hidden Sun, it was a good five years from when I started to when it hit the shelves for the first time. Granted, I have a full time job, plus a wife and four kids and I'm active in my church. In addition, there were times I had set aside for writing, and the inspiration just wasn't there.


And then came the question of "what is your story about?" What's been interesting is that I've asked that question to people who have read it--and I've gotten all sorts of different answers. It doesn't fit into a particular genre. It takes place in medieval times in a fictional land. But there isn't magic and the only monsters are the human antagonists. For that reason, it isn't fantasy. Is it a romance? Well, there are romantic parts of the book, but that isn't the focus. Is it a coming of age story? Well, yes and no. To explain this would ruin some of the surprises in the book. Is it young adult? Here, the answer is "yes--sort of". Meaning, there isn't any bad language nor sex scenes and while there is some violence, it isn't graphic. BUT (and that's a big but) the book isn't targeted for only young adults. It's written for adults as well, just without the typical elements that would make it be considered an "adult" book.


So. . .what is it? Well, I would describe it this way: It has action. It has adventure. It has romance. It has political intrigue. It has heroes. It has villains. It has many twists and turns. It has interweaving subplots that come together in the end. But overall, it's a book I wrote to convey a message.


Having said that, when different agents and publishers were reviewing the work, I'd get suggestions like "add some sex and violence, and we'll be interested." Or, "get rid of this or that and we'll be interested." In those cases, they wanted me to change things to make it fit into a more particular mold.


That is where I had to ask myself, where do I draw the line? Keep in mind, I had a lot of good suggestions on ways to improve the book that I did incorporate. Which suggestions did I choose to ignore and which did I keep? It boiled down to this simple question, "Does it change what I'm trying to say by writing this book?"


In everything I write, I have two things in mind when I start. First: What is the basic story? and Second: What is the theme or message behind this story?


For me, a story without a theme or message doesn’t hold the same impact as one that does. If I may be so bold as to offer suggestions to other authors, it would be this: If the changes you are asked to make to your work alters what you as a writer are trying to express, then they aren't good changes. Draw a line in the proverbial sand and don't cross it. In the end, your book is your work. You are writing for a reason. Don't lose sight of that.

From the Department of Redundancy Department

One thing I've noticed as I review my writing is all the extra words I include that aren't needed. That's part of the fun (and I'm being sarcastic) of editing.

When I wrote The Hidden Sun, I would fret over sentences and paragraphs as I wrote. I remember there was one line that I just couldn't get to sound good. I got so hung up on it, I started to lose focus on the story. I finally threw my hands up in the air and moved on. When Tristi Pinkston edited the book for its re-release, she masterfully fixed it. Sadly, I don't recall the details aside from just taking out a few words here and there and tada! It flowed very nicely.

The subject this month is really about editing, though I'm taking a bit of a different approach. I've heard from other authors that they suggest to just write the story and then come back to edit it. Some people write and re-write the first chapter over and over and then get frustrated about how slow it is going.

The Hidden Sun was my first book. It took me roughly 5 years from the time I started writing it until the day the first copy was sold. Granted, I was working full time and yadda, yadda, yadda, but still, that's a long time to hold on to a dream.

My second book, The Waxing Moon, came from an idea I got while editing The Hidden Sun. It's done and will hopefully see the light of day within a year's time. The trippy part about The Waxing Moon is that the final version is actually quite a bit different from the first draft. I was shooting for about 100,00 words. When I got to about 65,000, the story was over. So. . .I wrote another 35,000 words and tacked it on the end. My beta readers noticed what I had done right away. The end result? I went back into the original 65,000 words and added some interweaving subplots that enhanced the book--and I think it's much better because of it.

And about those 35,000 at the end that were cut? Let's just say I have a good head start on the third book of the Bariwon series.

In my current work in progress, The Mirror of the Soul, I'm just plowing through the story full steam ahead with the knowledge that I'll be going back to edit, fix, adjust, add, and rewrite what I've done. And isn't it wonderful that writers can do that.

As for the subject of editing and use of redundant phrases, let me end with a few examples:

Advance preview. I guess this means you get to see a preview of something yet to come before someone else?

Over exaggerate. I've used this phrase at least a million times.

Kneel down. Along the same lines of Stand up.

True facts. Very important to use these when writing non-fiction.

Pair of twins. I actually had this on an earlier version of The Hidden Sun.   

So, my final conclusion is that it's absolutely necessary that writers plan ahead to avoid using redundancies.  And when editing, scrutinize in detail the sum total of your redundant words, with your ultimate goal to completely eliminate them from your writing. If you need help, you can always ask a knowledgeable expert.

From a spark to a flame

I'm sure Freud would have something to say about this. Or perhaps there is a dream weaver out there who could shed some light on the subject. Or maybe, just maybe, a dream is just a dream.

(Quick trivia: was the movie Inception inspired by The Princess Bride? Answer below.)

I have this reoccurring nightmare where I'm about to finish school and there is a class I need to complete to graduate, but I haven't been there all semester--in fact, I'm not even sure when and where it meets. But, I have hope that if I find it, I can take the final and perhaps pass. Most often than not, it's an English class.

Quick side note: being dyslexic, I was always a terrible speller growing up. English classes often have spelling as part of their curriculum, so rarely did I get a good grade. I never thought I'd get my minor in English, let alone become a published author. However, as I got older, I came to realize something: there are these wonderful people called "editors" (shout out to Tristi and Kayla!) who let my imagination run wild without having to stop every two minutes to wonder if I typed something else that sounds like the word in my head. Example: my first drafts almost always have "has" in place of "as" and vice-versa--and bless my dyslexic mind, I just don't see them.

But back to dreams. There is also the reoccurring one where I can float just about an inch or so off the ground. And if I concentrate hard enough, I can actually get myself to rise higher--sometimes so high I can levitate over large objects, like walls or buildings.

What does this have to do with getting ideas for writing? The Hidden Sun was based on a very vivid dream I had one night. I woke up and remembered it well enough that I could share it with my wife. In doing so, I remembered it even more. She said, "That's interesting. You should write that down."

So, I did.

Then I got thinking about what happened to the characters before and after the dream. And, tada! I had my first idea for a book.

For me, I often get ideas for books or storylines or blogs from dreams--of the day or night variety. I have an app on my smartphone where I can jot down little snippets. Most of the time, these ideas are "sparks" that get fanned and have fuel added to become a flame.

What's been a lot of fun for the current book I'm writing is that it's based on a song from Chris de Burgh called The Mirror Of The Soul. While the story in the song itself is compelling, I needed to add things to it in order to flush it out into a full blown book. In this case, I'll listen to random songs by Mr. de Burgh and use the stories or even a line here or there for inspiration. (And yes, I got permission from his manager, publisher and even Mr. de Burgh himself before I proceeded)

As for the other dreams? To psychoanalyze myself, I'd say my dream of failing a class is tied to something I've forgotten to do, either in real life, or in my writing, that is very important. And for the levitating? Well, perhaps in a world where many people are trying to push you down, and tell you that you can't do things, it's my mind telling me that I can if I just try.

Trivia Answer:

The write time

I've never one to pass up a good pun. . . or a bad one for that matter. Sometimes they're actually pretty funny. Most of the time, I just embarrass my kids. It's what Dad's do best.

However, that isn't the subject of this blog. It's about finding time to write.

On the subject of time, my wife once made the observation that as kids, like when you are 4, it seems  like it takes forever for Christmas to come. And when you are older, it seems like you just took down the decorations when it's time to put them back up again.

Why?

Well, it's simple math, really.  When you're 4, a year is 1/4th of your life. When you are 40, a year is a much smaller fraction (do I really have to type 1/40th? Well, I guess I did). The point being, the older you get, the more time seems to speed by.

It took me a good five years to write The Hidden Sun. It took about four years for me to write The Waxing Moon. My goal for my third book? One year. Like anything, you get better at it. But that's not enough.

You need to make it a priority.

There are any number of things fighting for your time. Work, kids, spouse, church, sleep (what's that?) school, friends, entertainment, girlfriend or boyfriend (hopefully not if you have a spouse) and so on.

So, what do I do? Granted, this is what works for me. It may or may not work for you. After I get the original spark for an idea for a story (which is a whole other blog), I'll daydream about it. During lunch, as I'm falling asleep, while I'm taking a shower, or when my wife is talking to me (I'm kidding about the last one. . . or am I?) Quick side note: there is a great book about a father who had triplets. It's called, "I sleep at red lights". It's basically the same concept.

Before I even start to put words to paper, I'll have a general idea of the characters, the scene and what is going to happen.

And then the magic begins.

As I'm writing, the characters and setting help the story come alive. Things generally follow what I thought about, but I leave enough wiggle room that things can unfold as they saw fit. It's hard to describe it more than that.

In order to let this magic happen, I go to my man cave (hence why I'm proud to be part of this blog) where I can work in the quiet without distractions. To get in the mood, I'll often listen to music before I write that helps set the tone. Example: Mont St. Michel by Mike Oldfield is great music to set the mood to write about medieval times.

This usually happens after the kids go to bed, or on a day off from work when the kids are in school. (See a trend here? Family first! It's about priorities!)

In the end, it is really finding a time when you can write and not be disturbed. Sometimes the magic isn't there when I've set time to write. Sometimes the magic is there, but I have too many hands on my time. Regardless, as with anything in life, when you make it a priority, amazing things can, and do, happen.  

Under the influence

Star Wars.

That was it.

I was seven years old when Star Wars (now known as Episode IV) came out. Please, oh please, don't do the math to figure out how old that makes me.

I was simply blown away by Star Wars. It opened my imagination to ways I didn't think were possible--in a chemical free way. Here was a world with interesting characters, action, adventure, good, evil and most of all, great pacing and storytelling.

The movie inspired what types of books I read, TV shows I watched, and even music I listened to. All these years later, I still find myself drawn to sci-fi, and to some point, fantasy. (Yes, they are two different genres)

I, too, read Tolkien, C.S. Lewis, and Bradbury. They were certainly influential.

However, I'd say the inspiration I draw from now, both good and bad, are from more recent books I've read.

Here are a list of authors I've enjoyed / learned from:

(I'm sure this will raise a few eyebrows--but everyone is entitled to their opinion)



Greg Keyes His book, The Briar King, is an all time favorite. He has an amazing talent for developing characters. Plus, his pacing is outstanding. I'd like to think my writing style is the most like his.

Michael A. Stackpole His four part series, The DragonCrown War, is brilliant. He's unpredictable--something I've "borrowed".

Gerald N. Lund The Work and the Glory series is a masterpiece of historical fiction. Excellent character development.

Dan Brown Say what you will about his subject matter, but the man knows how to keep you glued to a book.

L. Ron Hubbard I'm proud to say I really enjoyed his novel Battlefield Earth. It's epic. It's smart. It's riveting. It's a shame that the movie was soooooooooo bad, and not even close to the book, that it's given the title a bad name.

Robert Jordan If only the rest of The Wheel Of Time books were as good as the first one in the series. Rest his soul, Jordon was one of the few people in the world that could take 80 pages to describe someone walking across a room. While his books are amazing, the pacing is too slow for my taste.

J. K. Rowling Again, outstanding imagination--the ability to create a unique world using somewhat familiar, therefore relatable, elements. Sadly, I think the Harry Potter series peaked with the 4th book. Books 6 and especially 7 seemed to be long for the sake of being long with a lot of back story and filler.

(Send hate mail to Dan Harrington. He'll make sure I get it)




Here's the best part: now that I've gotten involved in the writing community, I get to draw from all sorts of great authors. Don't be surprised in a few years when you see the names Young, West, Harrington, Cole, Pinkston and Mueller (and maybe even Morgan) appear on lists like these.

On manly writing

I was asked to give a presentation in front of several of my fellow managers about diversity. To set the scene: there were about twenty people in the room, with a mixture of men and women, and all sorts of ethnic backgrounds.

The first thing I said was, "I am a minority." Understand this is coming from a white male. The reactions varied from shock, disbelief, skepticism and confusion. In addition, I thought one of the people in the room was going to throw something at me.

I followed up by saying, "I am a member of the Church of Jesus Christ of Latter-day Saints, also known as the Mormons."

The atmosphere in the room eased up a bit, some people even smiling. And then I hit them up with this question, "All right, now how many of you are wondering how many wives I have?"

There was scattered laughter and a few nodding heads.

My response? "Well, I do believe most, if not all of you, have pre-judged me based on my gender, race and religion."

What point was I trying to make? That it is human nature to connect attributes or make assumptions about people based on their overall classification.

In developing my career as a writer, I've found that male authors seem to be in the minority. Maybe it's just my imagination. Also, it seems that if you are a male writer, it's almost expected to be more rough and, well, manly, in your writing. And there is some truth in that.

I found the response I got from The Hidden Sun was quite interesting. Women loved the romantic elements, as well as the character development. The guys? Well, they liked the action sequences and the twists and turns. Me? I'll have to admit, it was more fun to write the action parts. In fact, the follow up book, The Waxing Moon, is much more of an adventure story, though there are still plenty of interesting characters and yes, there is romance.

Have I found it more difficult to be a male author versus being a female author? Well, I can't say, since I've never been a female author. Is there is stigma when it comes to being a male author? Possibly.

The simple truth is that men and women are different. I've uncovered this highly scientific diagram to prove my point:

Need more proof? After a nine year study by some super top secret government agency (at a cost of 17.3 Billion dollars to the tax payers), the following study was released about shopping habits of men vs women:

So, are there different expectations for male writers versus their female counterparts? I'll have to go with "yes" on that one.

When I was first shopping The Hidden Sun, I got a response back telling me that if I were to add some sex scenes, swearing and more violence, they would be interested. I wonder what would have happened if I had submitted the same story under the fictitious name "Suzie Unicorn". . .

Who says daydreaming is a bad thing?

Growing up, I would daydream--a lot. Sitting in class, I'd look out the window and see something that would spark my imagination and off I would go on some adventure. There is probably some sort of medical term for that now. And it would have to be an acronym. The medical people love their abbreviations and acronyms. I guess I would be diagnosed with having DREAM syndrome (because the word "syndrome" makes it sound really official). What would DREAM stand for? Well, let's see. How about Dysfunctional Recognition Edification Activity Murkiness. Or perhaps Dude Redirects Every Attention Much.  Maybe even Doesn't Really Eat Apple Mush.

Regardless, I loved to make up adventures. The first real attempt to do so was in the 4th grade where I wrote a short story about how I was captured by aliens (and so were my friends) and I went about saving them. My real life friends liked the story so much, we went on to write twelve more short stories together which we titled, The Chronicles of Space Adventure (or COSA if a medical person got a hold of the title).

However, I ran into a bit of a snag when it came to writing. I have a mild form of dyslexia. One way it manifests itself is in spelling, which was (and is) a mystery to me. And for better or worse, English classes often included spelling tests as part of their grading system, so you can only imagine what kind of grades I earned.

It wasn't until I took a required creative writing class in college my sophomore year that I even thought I had the ability to use my imagination to create written stories. After being told by my several of English teachers that I really should pursue something in the science fields, I actually had a teacher that saw something else in me. In our final project was to re-write a well known short story of our choice from a different point of view. I chose The Lottery. When I got my version returned to me, it had a perfect score--something the teach rarely awarded students (note: spell check is your friend--something I didn't have in High School). He told me I had a gift. It's amazing how one person can make such a difference in your life.

As for my published novel, The Hidden Sun, it is the result of five years of writing in-between all the various demands on my time. And of course, while editing it, I got the idea for the second book, The Waxing Moon, which is in its final editing stages now. What does that mean? Well, of course that I've started on my third book.

To echo my fellow man cave authors, writing is a boat load of hard work. It takes dedication and patience. It requires putting on a thick skin when people criticize your work, while also listening to your heart of when to heed people's advice or stay true to your vision of your story.

I can't say how honored I am to be part of the man cave group. These men are extremely talented.

It's going to be a fun ride.